The Polytextual Synth Goth, a rarity yet utterly necessary, confounds even the most adept goth aficionados. Typically, goths engage in just one language, generally English. However, the Polytextual Synth Goth defies this by juggling multiple languages, flipping from one to another between sentences, within words, or even concocting a grotesque hybrid of two languages at once. An instance is the merging of Swedish and French into a unified concept. To the uninitiated, the Polytextual Synth Goth may seem to conjure diabolical forces with their speech, invoking some primeval spell-casting dialect to hex foes. Yet, they merely master a complex linguistic style opaque to those unwilling to merge global tongues. Edgar Allan Poe, the epitome of Polytextual Synth Goth, once combined every known language into a singular expression, which purportedly led to his immediate demise. The moniker "synth" in their name stems from their exclusive appreciation for cutting-edge synthesizer jazz. A peculiar habit of the PTG is their vehement detestation of the crow, possibly influenced by their extensive perusal of Poe's works, though experts remain puzzled.
You might be a Polytextual Synth Goth if you:
- Often, consider fusing multiple languages into a guttural noise
- I read Edgar Allan Poe a lot
- Strictly listen to free-form synth jazz
- Despise crows
If you're a Polytextual Synth Goth, then embrace your type! You are among a rare and exceptional breed of individuals, standing high above the rest.